Point Reyes – Part 2
Another of that boat. There's something about Point Reyes that's magical.
Part 2 (Saturday Morning)
Tom was up very early. It was just after 5 and still dark but he was eager to get out and take some photos. I turned over and went back to sleep.
He returned, very cold, two hours later. I asked whether he had been able to take any photos in the dark. He had tried taking some long exposures shots of the stars but he didn’t think they were too successful When it started to get light he went down to the old wood boat marooned on the mudbank just a few minutes walk from our B&B. The tide was in and he hoped he had managed to get some good shots of the boat and its reflection in the water.
Coffee is available down in the sitting room from 7.30 but breakfast is not until 8.30. We went down for coffee – well Tom had coffee and I had tea – and we read the paper. There were already a few guests there and we chatted sporadically with them. One couple were from Mountain View, which is quite close to where we live. At breakfast we shared a table with Craig and Jenny who were from Campbell which is only a couple of miles from our home. Breakfast consisted of cereal, fruit, orange juice, yogurt and a cooked dish. It was very tasty.
After breakfast we went out for a short walk. We set out to find a trail but ended up walking up
A little windy but still a beautiful day.
Inverness Way and around a few blocks and then alongside the bay before making our way back to the B&B to change into our walking shoes. Then we set off in the car, driving north along Sir Francis Drake Blvd. It was only 10.30 so once again had time to kill. We parked on a gravel pull-in by Chicken Ranch Beach and took a walk along the beach. The tide was ebbing but it was still pretty high. Last time we came here we were able to walk north along the beach and under the numerous piers that have been built into Tomales Bay. Today we had to content ourselves by walking south. There were several fishermen along the edge of the water and though we didn’t see anybody catch anything, we noticed the tail of a fish sticking out of a bag. It looked like a tiger shark. Near three fishermen was a very wet black lab with a tennis ball in its mouth. He came up to me and dropped the ball at my feet. I asked if it was OK to throw the ball and one replied that it wasn’t their dog, it had just appeared. So I threw the ball a couple of times to please him. At one point he was stood on a slope and when he dropped the ball, it rolled into the water. When he looked down and saw the ball had gone he looked at me as much as to say, “well, how did you manage to throw the ball without me seeing you?” It didn’t take him long to find it again.
At 11 we returned to the car and set off for our first studio of the day. This was at the home of Philip Loring Greene and his wife. His speciality is Ilfochrome photography. Egrets and herons are his passion and he has some stunning photos of them. There were a couple of other people there and while his wife – who plays the harpsichord by the way – served us hot apple cider, Philip demonstrated how he developed his photos. It sounded very long and tedious and one has to admire his patience. It can take two weeks to produce one print.
The next studio we missed altogether, though not intentionally. It was difficult to find. I should have looked at the brochure more carefully because it said that access was through the Inverness Valley Inn.
We drove on to the next studio which belonged to Molly Prier. She makes functional ceramics and Pueblo style vessels. Molly’s studio is not very large and only half a dozen people could fit in at any one time. Her burnished bowls were very beautiful and felt smooth to the touch. She fires them by digging a trench and covering them with cow dung. When the fire dies down, the pit is covered with soil. It takes a long time to finish the pots. Though we were tempted to buy one, we didn’t succumb. Just down the road was the joint studio of Shari Miler, who makes creative jewelry – which we were not interested in – and Peter Sheremeta, who makes stoneware pottery and garden vessels. Outside were some of his garden pots. They were round and the bottom is shaped into three legs. The legs are open at the bottom to allow water to drain away – what a novel idea. Inside were the studios were his bowls. They were mostly round and in vibrant colors. Tom fell in love with one so he bought it. It is a Christmas present for his daughter. Peter demonstrated it’s perfect construction by tapping it and it gave the sound of a bell being struck. He showed us one which didn’t make that sound and he said it must have a crack in it but it didn’t now where it was.
A winding road through the woods to another studio.
The next studio on the list belonged to the wood sculptor, Bruce Mitchell but we missed the turning, so we carried on to the next one. We turned up Drakes View. It is a private road but as the sign definitely pointed that way, we carried on. The road climbed up and up and there were some really sharp horseshoe bends. We really thought we had taken the wrong road but then we saw a sign for the studio, so we knew we were headed in the right direction. On and up we climbed, passing some really nice houses. The Richard Blair and Kathleen Goodwin studio is right at the top of a hill and it was one that was badly damage by the 1995 Bolines Range fire. In fact Richard and Kathleen only had a cabin then and it burned down. Now they have built a lovely home which is also their studio. They are both photographers b ut Kathleen also does paintings and Richard produces books. I particularly liked some of Kathleen’s photos. One was of the raft moored offshore at Shell Beach and the other of a group of men in a bus shelter in Alysham.
We walked out of the studio, crossed the road and walked down a short track between some trees to look at the fabulous view down over Tomales Bay. It was a lovely sunny day but there was a chill in the air and the wind could be heard soughing through the trees. Tom pointed out how far the fire had travelled down the hill. You did distinctly see the break between the old and new growth of trees.
We returned to the car and drove down the hill again but turned on onto Upper Robert Drive where we visited the studio of Ed Stetson. This was the only place we stopped at where we were the only visitors. The studio was in the beautiful home of Ed and his wife with a commanding view of Tomales Bay. Ed is a photographer and uses a digital camera to shoot wildlife. He has captured some amazing shots – one of a Marsh Hawk carrying a vole in its talons; one of what he calls ’sand trees’ taken on Limator Beach and one of a pelican trying to get friendly with a wooden statue of a pelican. Tom and Ed had a long conversation about printing techniques, Photoshop and matting. It is interesting to pick up hints and tips from other photographers.
More to follow…..
January 09 2010 | Special Places | No Comments »
